We first discovered the pull of the Narmada during our two weeks in Maheshwar last December. It was during our time there that we first met parikramavasis: the devotees of the holy river who make a 2,600-kilometer pilgrimage to circle her entire length. Some start at the river’s mouth on the Indian Ocean, walk along her northern bank, circle her source at Amarkantak and return to the mouth. Others start at Amarkantak and complete their journey there. Wherever they start, all the parikramavasis perform their journey in a clockwise direction, keeping the Narmada on their right.
They’re building a Jain temple on the higher land above the little town of Amarkantak. Saying “a temple” is really a little misleading – it’s a huge, impressive structure, with an even taller tower close by. And these buildings are just part of a larger planned complex.
Glancing up from my phone to tell Alan what I’d learned, I saw a man standing before the statue of Ahilyabai, his hands folded in prayer. I watched as he prostrated, then sat in meditation at her feet. That’s when I understood Ahilyabai is much more than a historical figure, or even a heroine: She is a goddess.
I didn’t expect much from Indore. The city doesn’t seem to get a lot of love from the Rough Guide authors, nor from reviewers on TripAdvisor. So I just thought of Indore as a large Indian city marred by traffic, noise and pollution.
Yes, Indore is large, and yes, there’s plenty of traffic, along with the attendant horn honking and bad air. But the streets of inner Indore are highly rewarding for anyone who loves to walk and look, a fascinating mix of colorful clothing and jewelry shops, small vegetable markets, temples and mosques, and traditional buildings in varying states of decay.Continue reading